3 Vital Lessons I Learned from Stage Managing and One I'm Still Learning

As I’ve taken more risks in my life (in fact, almost making a habit of it some days!), I’ve come to the conclusion that the wide variety of practical skills I learned in theatre have been instrumental both to my successes and the very fabric of who I am.

Sometimes these skills come from actor-stuff, helping me make more sense of social life and living in a different culture.

Today's topic: I wouldn’t be doing what I’m doing if it wasn’t for the skills I learned from Stage Management.

I tried out stage management not because I wanted to do it professionally, but because it’s a vital job within a theatre production and I wanted to learn more about it. Tackling a new job only tangentially related to your area of expertise and experience, or even completely outside it, is always a great way to stretch your brain.

View it as a challenge, and work to apply your existing skills in new ways (that’s right: your existing tools might be very successful when applied in unorthodox or novel ways!). If nothing works, seek out new skills to cope. We don’t always succeed at these ‘risky’ experiments, but being curious about how systems work is a great way to make new mental connections, skills, and develop a top-down model of your life and work.

A BRIEF DESCRIPTION OF YOUR JOB, SOMETIMES, MAYBE

You are both in charge and not in charge. You’re expected to be invisible, immediately come to the forefront when problems arise, and then disappear again.

You get dumped on, a lot – because the buck stops with you.

If you're lucky...

Dare to Fail Gloriously: What Happens When No One Reacts to Your Work?

It's usually about this time that I just put the laptop away and start
surfing reddit and imgur.

I'm pretty lucky in the fact that there are usually at least a couple dozen people who check out each post, and oftentimes more (maybe as many as 4 DOZEN! or MORE - like 5 dozen. So crazy). But not always.

Sometimes it gets me down. I've read a fair amount about blogging. The ins and outs, and the way you need to divide your time among many different tasks, the hard work of building, engaging, and maintaining an audience, etc etc etc... it's actually a ton of work, and a lot of it is promotion stuff that I, frankly, am not very good at.

One of the pieces of advice I see repeated regularly is that the ratio of content creation to promotion is much more lopsided than I previously assumed. In my incredibly naive brain, it went something like "IF YOU WRITE IT... THEY WILL COME."

Humph. Not good enough, apparently. There's this thing called 'social media' of which blogging is an intrinsic part, and you simply can't do one without the other. In fact, many self-described blogging 'experts' say the actual ratio of your workload should be about 20% content creation, and 80 DAMN PERCENT promotion. I hate self-promotion (although one of my new year's resolutions is to tackle it head on this year).

So every so often I'll see that I've been particularly prolific, turning out what I consider to be a series of high-quality posts that address a wide variety of subjects, but they get no views. In fact, several of the pieces that I feel are my best, thematically, content-wise, and in structure and form, get very few views.

Trip to Bummertown? Maybe a temporary layover...

Three Vital Skills I Learned from Acting Classes, and One I'm Still Working On

I don't always use memes, but when I do, I use five of them.

I've always valued the training I received in theatre school. It was a really rough time for me mentally, but as I've grown older ('matured'?) I am able to look back and be amazed by just how many wide-ranging situations I've navigated by dint of my training.

I am continually surprised at how these various skills (and, my god, what a bizarre, heady, useful range of skills they turned out to be!) have come in handy here in this brave new world of traveling abroad. As I get to know myself better, and fall back in love with who I am, I wanted to take a moment to detail here how they've helped me on my worldwide, and inner, journeys.

I graduated with a degree in Technical Theatre. Practically speaking, I was a carpenter, designer, stage manager, stitcher, props designer, and periodically unemployed person before deciding that my career in theatre was unappetizing and way too uneven, to say the least. I wanted out, but I had no idea what to do, where to go, or how to get there. It was like coming to the end of a road and discovering that the last bridge I crossed had been struck by meteors (that I helped direct there) and the road up ahead goes off a cliff into a ravine, like the train tracks in Back to the Future 3.

For years I thought I didn't have a hoverboard or means of escape... but I was wrong*.

I bemoaned my theatre degree for years. I made terrible mistakes. I bemoaned my life choices. I lathered, rinsed, and repeated... and instead of being an agent of change in my life, I became one who reacted, instead of acted. I was a passive, unhappy meatbag of a person.

I bemoaned a whole lotta things, and never really got objective enough to rise above the bleak, depressed person I was and achieve something brighter, something that my Self always knew I was capable of, but never let myself achieve.

But then I made a choice.

To me, this choice was to build a new dream, something with long-term value and interest for myself. (which are evolving every day). I want to get into sustainable landscape urbanism, with a strong eye toward regional environmental balance. We are social animals, and we should live within our environments, in balance... and in cities.

To survive in a foreign culture, I think that you have to be willing to embrace a certain amount of flexibility. This was definitely NOT in my personal vocabulary when I came, or at least not in my immediate brain. My animal brain knew what was up, though, and kicked into gear. And while Flexibility is certainly a skill that theatre helped hone (along with creative problem-solving and keeping a cool head), there were several skills that I discovered came from the most unlikely of places...

No one was more surprised than I to find that these skills originated in acting classes.

Cambodia: Phare, the Cambodian Circus

After our fantastic Indian dinner at Curry Walla, we availed ourselves of one of Siem Reap's most highly flaunted attractions - Phare, the Cambodian circus.

Saigon Sights: À Ố Show at the Saigon Opera House

Wow, finally... a post about the theatre! A fitting choice for my 100th (!) post!

Theatre's usually a dress-up time for me - the closest thing I could manage after 12 hours in my work clothes was jeans and a snazzy bow-tie (I have LITERALLY been waiting since I got to Vietnam to pull out the bow-tie!!), but I shouldn't have worried. The house was packed with expats and visiting tourists in casual duds.

The visitors were there with good reason. The À Ố Show currently in residence at the Saigon Opera House brags that it's changing the guidebooks, and they're pretty much right on the money. That is no undeserved brag, my friends. This is an honest-to-god piece of art, and I enjoyed every second of it. If I hadn't seen it's artistic antecedents several times in America (Cirque du Soleil, you've gone and had a love child with Vietnam, didn't you?) I would have had absolutely no idea where this came from.

As it turns out, the show was a blast. My inner theatre professional thought it was practically perfect in every way - funny, moving, beautiful, well-designed, well-choreographed and executed, thoughtfully-conceived, and an all around pleasure!

Click through for pics, the Opera House, and my thoughts...